"Channeling a conversation between the ruins of the Cold War with Berlin as the epicenter of erotic destruction and the prostitute as the figure of survival and economic post-war flourishing, ‘BEWARE OF A HOLY WHORE’ is a psychosexual remapping of desire and capital. Using the figures of Fassbinder’s BRD Trilogy and other filmic and cultural sources, the whore becomes a woman to be revered rather than shunned as she presides over a funeral for capitalism and the city, as a future site of freedom and joy.
This performance is a new video and written work created in collaboration by Johannes Goransson and Cassandra Troyan for Word Weekend at the MCA. It will take place on Sunday the 27th at 1PM in the Kanter meeting room on the first floor.”
Lucas de Lima writes, "Me and my superstar fellow readers, I must point out, are not battling each other as opponents. Far from it, we’re joining forces as the one and only LATINA GURLESQUE, a luminous, feminist, outrageous decolonial parade. Taking a SPICY, CALIENTE line of flight south of the original Gurlesque anthology, our aesthetic already throbs in contemporary performance art. Consider the mystic genitalia and unholy queer ‘spictacles’ of La Chica Boom."
Monica McClure’s debut collection, Tender Data, will be published by Birds, LLC this year. She is the author of the chapbooks, Mood Swing, from Snacks Press and Mala, forthcoming from Poor Claudia. Her poems have appeared or are forthcoming in Tin House, Jubilat, Fence, The Los Angeles Review, The Lit Review, Lambda Literary Review’s Spotlight Series, The Awl, Spork and elsewhere. She curates Atlas, a collaboration series of visual artists and poets, and lives in New York City.
Lucas de Lima was born in the state of São Paulo, Brazil. He is the author of Wet Land (Action Books, 2014) and the chapbooks Ghostlines (Radioactive Moat) and Terraputa (forthcoming from Birds of Lace). A contributor to Montevidayo, he pursues doctoral studies in Comparative Literature at the University of Pennsylvania.
Jennifer BARRRRFFFF Tamayo is a New York-based performance artist, writer, and activist. She is the author of three collections of art and writing, most recently YOU DA ONE (Coconut Books, 2014). JT lives in Brooklyn and serves as the Managing Editor of Futurepoem.
"I mean, everything is a part of the Change Machine world; there is the particularity of molecular lattices, industrial processes, apropos remarks, one-second memories, and they all manage to avoid any twinge of exclusiveness. There is something exciting about the evenly-paced Change Machine. There is no sinister overwhelming, there is Covey to catalogue and curate, to point out the hidden objects in the visual and psychic goulash. Covey’s poems sustain because it is not an apocalyptic piling-on of substances, it is a good-humored acknowledgment of the individual pecks that make up our pointillistic postmodern.”
Ginger Ko writes from Wyoming. Her poetry collection MOTHERLOVER is forthcoming from Coconut Books.